I'm always a sucker for novels about writers and writing.
Hanif Kureishi's The Last Word hits this target from a number of angles and
poses interesting questions. It is also filled with delightfully developed
characters who are all colorful, without becoming caricatures. This gives the
book a rich balance of pathos and humor.
A hungry and ambitious young writer, Harry Johnson, is given
a commission to write a biography of a towering literary figure, Mamoon Azam. His
publisher hopes to revitalize Azam's book sales & reputation. The writer
has been a life-long hero to Harry. Of course, Harry opens Pandora's box when
he begins his research while living at Mamoon's estate, which creates conflicts
for him. Exploitative and thoughtless relationships with women and sexual hijinx are
revealed from Azam's first wife's journals and an ex-lover's scathing interviews. Mamoon's deliberately incendiary commentary on all aspects of art and life are
already well known, having cost him his academic career. As always, the ambition of
the young can be counted on to outweigh admiration.
Mamoon's second wife, Liana, a fiery Italian, would like
this biography to polish her husband's career, not paint a picture of a selfish,
debauched artist. Harry's character explores the contradictions and conflicts
of a biographer, in this case, leavened with his own powerful ambition. Liana quickly
recognizes that the biographer has his own agenda of using this book to vault
his own career, while she would like it to vault Mamoon's artistic reputation.
Meanwhile, Mamoon is distant, insulting, and dismissive of Harry, and will
barely grant him a conversation. Their brief, oblique discussions of writing
and the artistic process, which Harry must tease out of Mamoon, lay out nuggets
about art and life from Kureishi.
To get this biography written, Harry embarks on a complex dance with all of them. On second thought, one of them might be a caricature: the hard drinking publisher, who pushes Harry & bait-&-switches him. The psychology of these, and other characters,
is carefully developed by Kureishi, which gives blood to the heady ideas the
book explores. A maid in the household, who has a complex history with Mamoon centered on reading, and a complex relationship with Harry, is a rewarding one.
In an age of 240 character social media, Kureishi has
important things to say about the art of writing. However, the author never
takes the topic too seriously, and the novel can be quite funny at
times. Highly recommend.
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