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Friday, February 2, 2018

I am a word junkie, I admit it, and I just got a great fix from Lucy Ives' impossible views of the world. This novel has checked all the boxes: prose, characters, plot, story within a story, and it's fun.

Reading the first page, I thought, "Hmm, this is a tad overwritten." By page two, I realized, "No, this is the narrator's voice, and it's perfect." By page three,
I knew, "I love this writing."

I quickly discovered that Ives also is quite adept at characterization. Stella Krakus, the protagonist and narrator, is a 30 something curator of the Central Museum of Art in Manhattan, very intelligent, finalizing a divorce, in love with a colleague who won't love her, and then hooked on an art history mystery. She is perfectly drawn, the reader "gets" her and likes her. Stella's mother, Caro, is a self invented, wry, judging woman who owns a successful print gallery on the upper east side. Ives evokes her distant personality perfectly, without being heavy handed. I was glad Caro was not my mother. Frederic Lu is vividly painted as a handsome, brilliant, prince of The City, who is on the fast track to be the Direct of Central Museum.

The most important character has died before page one: poet Paul Coral, a long time employee of Central, and secretly an expert printmaker. We do not encounter him in any flash backs, so his character is slowly drawn by Stella's discoveries. He is the story within the story, and the mystery in impossible views. The setup and revelation of this character is skillfully done. This novel is great writing and a fun read, I highly recommend. I can't wait for Ives' next novel.